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baskets

48. Accurate Proportion

Sen no Rikyu, a tea-master, wished to hang a flower basket on a column. he asked a carpenter to help him, directing the man to place it a little higher or lower, to the right or left, until he had found exactly the right spot. “That’s the place,” said Sen no Rikyu finally.

The carpenter, to test the master, marked the spot and then pretended he had forgotten. Was this the place? “Was this the place, perhaps?” the carpenter kept asking, pointing to various places on the column.

But so accurate was the tea-master’s sense of proportion that it was not until the carpenter reached the identical spot again that its location was approved.

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artist

47. Stingy Artist

Gessen was an artist monk. Before he would start a drawing or painting he always insisted upon being paid in advance, and his fees were high. He was known as the “Stingy Artist.”

A geisha once gave him a commission for a painting. “How much can you pay?” inquired Gessen.

“Whatever you charge,” replied the girl, “but I want you to do the work in front of me.”

So on a certain day Gessen was called by the geisha. She was holding a feast for her patron.

Gessen with fine brush work did the painting. When it was completed he asked the highest sum of his time.

He received his pay. Then the geisha turned to her patron, saying: “All this artist wants is money. His paintings are fine but his mind is dirty; money has caused it to become muddy. Drawn by such a filthy mind, his work is not fit to exhibit. It is just about good enough for one of my petticoats.”

Removing her skirt, she then asked Gessen to do another picture on the back of her petticoat.

“How much will you pay?” asked Gessen.

“Oh, any amount,” answered the girl.

Gessen named a fancy price, painted the picture in the manner requested, and went away.

It was learned later that Gessen had these reasons for desiring money:

A ravaging famine often visited his province. The rich would not help the poor, so Gessen had a secret warehouse, unknown to anyone, which he kept filled with grain, prepared for those emergencies.

From his village to the National Shrine the road was in very poor condition and many travelers suffered while traversing it. He desired to build a better road.

His teacher had passed away without realizing his wish to build a temple, and Gessen wished to complete this temple for him.

After Gessen had accomplished his three wishes he threw away his brushes and artist’s materials and, retiring to the mountains, never painted again.

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trees

46. How Grass & Trees Become Enlightened

During the Kamakura period, Shinkan studied Tendai six years and then studied Zen seven years; then he went to China and contemplated Zen for thirteen years more.

When he returned to Japan many desired to interview him and asked obscure questions. But when Shinkan received visitors, which was infrequently, he seldom answered their questions.

One day a fifty-year-old student of enlightenment said to Shinkan: “I have studied the Tendai school of thought since I was a little boy, but one thing in it I cannot understand. Tendai claims that even the grass and trees will become enlightened. To me this seems very strange.”

“Of what use is it to discuss how grass and trees become enlightened?” asked Shinkan. “The question is how you yourself can become so. Did you ever consider that?”

“I never thought of it in that way,” marveled the old man.

“Then go home and think it over,” finished Shinkan.

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theft

45. Right & Wrong

When Bankei held his seclusion-weeks of meditation, pupils from many parts of Japan came to attend. During one of these gatherings, a pupil was caught stealing. The matter was reported to Bankei with the request that the culprit be expelled. Bankei ignored the case.

Later the pupil was caught in a similar act, and again Bankei disregarded the matter. This angered the other pupils, who drew up a petition asking for the dismissal of the thief, stating that otherwise, they would leave in a body.

When Bankei had read the petition he called everyone before him. “You are wise brothers,” he told them. “You know what is right and what is not right. You may go somewhere else to study if you wish, but this poor brother does not even know right from wrong. Who will teach him if I do not? I am going to keep him here even if all the rest of you leave.”

A torrent of tears cleansed the face of the brother who had stolen. All desire to steal had vanished.

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a gift

44. The Thief Who Became a Disciple

One evening as Shichiri Kojun was reciting sutras a thief with a sharp sword entered, demanding either his money or his life.

Shichiri told him: “Do not disturb me. You can find the money in that drawer.” Then he resumed his recitation.

A little while afterward he stopped and called: “Don’t take it all. I need some to pay taxes with tomorrow.”

The intruder gathered up most of the money and started to leave. “Thank a person when you receive a gift,” Shichiri added. The man thanked him and made off.

A few days afterward the fellow was caught and confessed, among others, the offense against Shichiri. When Shichiri was called as a witness he said: “This man is no thief, at least as far as I am concerned. I gave him the money and he thanked me for it.”

After he had finished his prison term, the man went to Shichiri and became his disciple.

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poverty

43. Zen in a Beggar’s Life

Tosui was a well-known Zen teacher of his time. He had lived in several temples and taught in various provinces.

The last temple he visited accumulated so many adherents that Tosui told them he was going to quit the lecture business entirely. He advised them to disperse and to go wherever they desired. After that no one could find any trace of him.

Three years later one of his disciples discovered him living with some beggars under a bridge in Kyoto. He at one implored Tosui to teach him.

“If you can do as I do for even a couple of days, I might,” Tosui replied.

So the former disciple dressed as a beggar and spent a day with Tosui. The following day one of the beggars died. Tosui and his pupil carried the body off at midnight and buried it on a mountainside. After that they returned to their shelter under the bridge.

Tosui slept soundly the remainder of the night, but the disciple could not sleep. When morning came Tosui said: “We do not have to beg food today. Our dead friend has left some over there.” But the disciple was unable to eat a single bite of it.

“I have said you could not do as I,” concluded Tosui. “Get out of here and do not bother me again.”

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contemplate

42. The Dead Man’s Answer

When Mamiya, who later became a well-known preacher, went to a teacher for personal guidance, he was asked to explain the sound of one hand.

Mamiya concentrated upon what the sound of one hand might be. “You are not working hard enough,” his teacher told him. “You are too attached to food, wealth, things, and that sound. It would be better if you died. That would solve the problem.”

The next time Mamiya appeared before his teacher he was again asked what he had to show regarding the sound of one hand. Mamiya at once fell over as if he were dead.

“You are dead all right,” observed the teacher, “But how about that sound?”

“I haven’t solved that yet,” replied Mamiya, looking up.

“Dead men do not speak,” said the teacher. “Get out!”

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emptiness

41. Joshu’s Zen

Joshu began the study of Zen when he was sixty years old and continued until he was eighty, when he realized Zen.

He taught from the age of eighty until he was one hundred and twenty.

A student once asked him: “If I haven’t anything in my mind, what shall I do?”

Joshu replied: “Throw it out.”

“But if I haven’t anything, how can I throw it out?” continued the questioner.

“Well,” said Joshu, “then carry it out.”

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dreamland

40. In Dreamland

“Our schoolmaster used to take a nap every afternoon,” related a disciple of Soyen Shaku. “We children asked him why he did it and he told us: ‘I go to dreamland to meet the old sages just as Confucius did.’ When Confucius slept, he would dream of ancient sages and later tell his followers about them.

“It was extremely hot one day so some of us took a nap. Our schoolmaster scolded us. ‘We went to dreamland to meet the ancient sages the same as Confucius did,’ we explained. ‘What was the message from those sages?’ our schoolmaster demanded. One of us replied: ‘We went to dreamland and met the sages and asked them if our schoolmaster came there every afternoon, but they said they had never seen any such fellow.'”

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sleeping

39. Sleeping in the Daytime

The master Soyen Shaku passed from this world when he was sixty-one years of age. Fulfilling his life’s work, he left a great teaching, far richer than that of most Zen masters. His pupils used to sleep in the daytime during midsummer, and while he overlooked this he himself never wasted a minute.

When he was but twelve years old he was already studying Tendai philosophical speculation. One summer day the air had been so sultry that little Soyen stretched his legs and went to sleep while his teacher was away.

Three hours passed when, suddenly waking, he heard his master enter, but it was too late. There he lay, sprawled across the doorway.

“I beg your pardon, I beg your pardon,” his teacher whispered, stepping carefully over Soyen’s body as if it were that of some distinguished guest. After this, Soyen never slept again in the afternoon.

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